Body Sense Perception

Body Sense Perception is a technique of experiencing art viscerally, as developed by Deanne.

The process is an amalgamation of her multidisciplinary studies across performance and visual arts, asking the audience not to dissect what is in front of them but to instead translate how it affects them.

  • Through our senses our Body

    perceives our internal and external

    world. It is a vehicle for us to

    experience our unique selves. It also

    holds the history of our genetics, and

    the history of our soul When we take

    our awareness down into our body and

    through the channels of the senses, we

    gain a deeper insight into who we are,

    where we should be, and how we are

    being affected, The body is a

    wonderful tool for receiving

    information which we may not initially

    interpret through the mind.

    When standing in front of an abstract

    painting we can be having a somatic

    experience without being conscious of

    it. Using the BSP techniques we can

    become consciously aware of the

    abstract paintings affect and use this

    as an osmotic mode for creating other

    works of art. To enliven and bring

    awareness into our bodies we can

    continually exist as creative beings.

  • As artists we are constantly seeking inspiration. But where do we seek this

    inspiration from? Body Sense Perception is based upon Rudolf Seiner's 12 Senses.

    Through our senses we learn about inner world, about the outer world, and how we

    relationship and connect as inner beings in the outer world. We tend to mostly gain

    information through the mind and use our other senses to predominantly guage what

    is pleasurable. When we engage all of our senses and observe our response,

    inspiration endlessly flows.

  • Our perception or awareness is the

    mode of observation, whether it be

    subjective, or objective. It is the willful

    action taken to gain information about

    how our bodies and how our sense of

    self is being affected by the external

    environment, how the external

    environment is being affected by us

    and gaining deeper insight into who

    and

    what is in the external world. Our

    perception of how we are feeling, and

    how we are physical reacting or

    responding, can be singular or

    intertwined. Through the 12 Senses we

    use our perception to gain information

    about what we observe and

    experience.

“Art is not just a pretty picture on the wall which aesthetically aligns with one’s decor, it can have and should have a profound psychological affect upon the viewer.”

— Deanne Eccles

The Body Sense Technique intends to draw the viewers’ awareness to the meaningful role that the human senses play when viewing art. Deanne intends to bring to consciousness the subtle effects art can have upon us and the danger of disconnection from our sense of spirit to art when we do not give it focus.

We as sentient beings respond to our surrounding atmosphere and environment when we walk into a forest, room, hall, garden, or gallery.

We can be inspired to continue the creative process or choose to be a voyeur of art and be numb to its effects.

Body Sense In Concert

On the nights of the 19th and 20th of November 2022, musicians Kaylie Melville and Gelareh Pour performed several original compositions at Deanne’s exhibition, ‘Sublime.’ 

Alongside Deanne’s abstract paintings, the compositions shaped an encompassing amphitheatre of work uniting the senses.

The response was heartfelt, with some calling it ‘phenomenal’ and others saying they’d ‘never experienced anything like it.’ 

Each composition was rooted in the paintings exhibited and stemmed from under Deanne’s guidance.

Melville and Pour engaged with each painting using Deanne’s techniques of Body Sense Perception and seized on the emotion from their experiences to develop the accompanying compositions. 

The sonic element deepened Deanne’s intention and philosophy that her art should not always be analyzed but felt first and foremost.